Saturday, December 9, 2017

Prompt #300 – The Night Before Christmas Parody



This week, I decided to revisit (and embellish) a seasonal prompt from December 11, 2010. The prompt deals with writing parodies of a well-known poem. Parody is always fun—the imitation of another work, writer, or genre. In poetry, parody is often about burlesquing serious verse for comic or satirical effect. This week, the idea is to write parodies of Clement C. Moore’s famous poem “The Night Before Christmas” (originally titled “A Visit from Saint Nicholas”). 

This poem has delighted both children and adults for many years—and some very funny parodies have been written. These humorous riffs on the Christmas classic are in many ways as entertaining as the original.

The original version of “A Visit from St. Nicholas” was anonymously published shortly before Christmas in 1823. As the poem’s popularity grew, several writers claimed to be its author, including Clement Clarke Moore, a classics professor, writer, and friend of author Washington Irving. Written in anapestic tetrameter (four feet of unstressed-unstressed-stressed), the poem’s rhythm and rhyme have made it easy to memorize.

Three of four hand-written copies of the poem are housed in museums (including the New York Historical Society Library). A private collector sold the fourth copy in December 2006; this copy was written and signed by Clement Clarke Moore and given as a gift to a friend in 1860. It was purchased for $280,000 by an unnamed “chief executive officer of a media company.”

Guidelines:

1. To begin, read Moore’s “The Night Before Christmas.”

2. Now sample some parodies of the poem. Google "Parodies of the Night before Christmas," and you'll find several online. Note how the parodies imitate the style and form of the original but use different language and meaning to alter the text.

3. Next, think of the content you’d like your poem to contain. Theme? Idea? Think about the examples you read and consider other possibilities. Here are just a few:

The Night Before Christmas (from a Pet’s Point of View)
A Mother’s/Father’s Night Before Christmas
A Poetry Reading the Night Before Christmas
A (Profession Here, Teacher’s, Lawyer’s, Poet’s, Policeman’s) Night Before Christmas
A (Person’s Name Here) Night before Christmas (This Version is about a Particular Person)
The Night Before _________________(Not Christmas, Anything You Wish)

4. When you’ve got an idea in mind, begin writing. You should, of course, model your work after the original while addressing a completely different subject matter. If the Moore poem is longer than you’d like your parody to be, simply write something shorter. Be sure to follow the rhythm and rhyme schemes of the original poem – that is, maintain the sense of music that Moore created. Allusions to Moore’s poem are fun to include.

Tips:
1. Something that I’ve done over the years is to write “Night Before Christmas” poems for friends and family members. I print and frame them and give them as gifts – they’re fun to write (especially humorous versions), a great way to make friends and family members smile, and an amusing way to share poetry.
2. Have fun with this!

3. As always, you’re invited to post your poems as comments (finished or in draft form) for other blog readers to enjoy.

Example: “Twas the Night before Hanukah”





Saturday, November 25, 2017

Prompt #299 – Silent Night


As the holiday season begins, and Christmas preparations gear up in my house, I find myself listening to (and singing in my less-than-harmonious voice) a number of favorite Christmas carols. I wondered what the most popular Christmas carol of all might be. A quick Google search led me to an article based on a Time Magazine study that revealed the following:

“The names Joseph Mohr and Franz Xaver Gruber have largely vanished into the annals of Christmas tormentors, but their greatest triumph lives on. “Silent Night,” which Mohr wrote the lyrics for (in German) in 1816 and Gruber put to music two years later, is the most recorded Christmas song in the modern era of the holiday’s substantial oeuvre.”

“To determine this fact, TIME crawled the records at the U.S. Copyright Office, which offers digitized registrations going back to 1978, and collected data on every Christmas album recorded since that time. “Silent Night,” it turns out, is not merely the most popular carol; with 733 copyrighted recordings since 1978, it is nearly twice as dominant as “Joy to the World,” a distant second with 391 records to its name.”




Whether your observation of the season is secular or religious, and regardless of your religious affiliation, this week, the challenge is to use the title (that’s right, just the title) of the song “Silent Night” as a springboard for something that may well be quite different from the song. Think about a “silent night” (any silent night) that you’ve experienced. This may be a seasonal or Christmas experience or a “silent night” experience from any time of year.

Guidelines:

1. Free write for a while on silence, nighttime, or any specific experience you’ve had at night (mystical, beautiful, frightening, comforting). Some possibilities may include a family time, a particular holiday celebration, a nighttime walk in the woods or on a city street, a time alone, a time when words failed you, or a time when you were in deep reflection.

2. After free writing for a while, take a short break and then go back and read what you wrote. Is there anything there that you might work into a poem? Copy some images and ideas that you think might fit.

3. Consider prose, narrative, and lyric forms.

4. Write your poem with the specific intention of creating a mood or atmosphere. Mood is the major feeling or atmosphere of a piece of poetry, and can be an important device is establishing emotional communication between you and your readers. Remember that your topic is a “silent night.”

5. Don’t be afraid to create an air of mystery. Along that line, don’t tell it all—leave room for your readers to enter your poem. Give your readers something to reflect upon. Don’t close the “door” on your poem—leave it slightly ajar.

Tips:

1. The images you create will impact the mood of your poem. If you create somber images, the mood of your poem will darken and perhaps become ominous. If you create light, happy images, your poem’s mood will move into a positive, uplifting direction. Know what mood you want to create before writing anything.

2. Remember that setting contributes to mood and atmosphere, and establish a setting for your poem accordingly. (Note that setting is the physical location in any literary work. It provides a background that supports the content.)  

3. Use language to your poem’s advantage. That is, choose words and phrases that convey the mood or tone of a “silent night.”

4. Be generous with caesuras (pauses). Allow the unspoken silences of your poem to speak to your readers. You can create pauses with dashes, parentheses, spacing, and line breaks.

5. There should be nothing superfluous in your poem: no extra words, no extra syllables. Avoid explanations of what you’ve written in your poem: trust your images.

Examples:


Stopping by Woods on a Snowy Evening By Robert Frost

Whose woods these are I think I know.  
His house is in the village though;  
He will not see me stopping here  
To watch his woods fill up with snow.  

My little horse must think it queer  
To stop without a farmhouse near  
Between the woods and frozen lake  
The darkest evening of the year.  

He gives his harness bells a shake  
To ask if there is some mistake.  
The only other sound’s the sweep  
Of easy wind and downy flake.  

The woods are lovely, dark and deep,   
But I have promises to keep,  
And miles to go before I sleep,  
And miles to go before I sleep.


Evening Solace By Charlotte Brontë

The human heart has hidden treasures,
In secret kept, in silence sealed;—
The thoughts, the hopes, the dreams, the pleasures,
Whose charms were broken if revealed.
And days may pass in gay confusion,
And nights in rosy riot fly,
While, lost in Fame’s or Wealth’s illusion,
The memory of the Past may die.

But there are hours of lonely musing,
Such as in evening silence come,
When, soft as birds their pinions closing,
The heart’s best feelings gather home.
Then in our souls there seems to languish
A tender grief that is not woe;
And thoughts that once wrung groans of anguish
Now cause but some mild tears to flow.

And feelings, once as strong as passions,
Float softly back—a faded dream;
Our own sharp griefs and wild sensations,
The tale of others’ sufferings seem.
Oh! when the heart is freshly bleeding,
How longs it for that time to be,
When, through the mist of years receding,
Its woes but live in reverie!

And it can dwell on moonlight glimmer,
On evening shade and loneliness;
And, while the sky grows dim and dimmer,
Feel no untold and strange distress—
Only a deeper impulse given
By lonely hour and darkened room,
To solemn thoughts that soar to heaven
Seeking a life and world to come.


Saturday, November 18, 2017

Prompt #298 –Gratitude


If the only prayer you ever say in your entire life is thank you, it will be enough.
— Meister Eckhart

Here in the U.S., Thanksgiving will be celebrated this coming week on Thursday, November 23rd. This year our Thanksgiving coincides with Japan’s Kinrō Kansha no Hi, a national public holiday celebrated every year on November 23. Derived from ancient harvest festival rituals named Niinamesai, its modern meaning is more a celebration of hard work and community involvement, translated as Labor Thanksgiving Day. Other countries that celebrate Thanksgiving include Germany (first Sunday of October, essentially a harvest festival that offers thanks for a good year and good fortune) and Canada (Parliament made it a national holiday in 1879, declaring in 1957 that the holiday would be observed yearly, "A Day of General Thanksgiving to Almighty God for the bountiful harvest with which Canada has been blessed—to be observed on the 2nd Monday in October"). Grenada, Liberia, and The Netherlands also hold Thanksgiving celebrations. 

Thanksgiving in the United States has a long history beginning in 1621 when the Plymouth colonists and Wampanoag Indians shared an autumn harvest feast that is considered the first Thanksgiving celebration. For over 200 years, days of thanksgiving were celebrated by individual colonies and states. In 1827, magazine editor Sarah Josepha Hale began a campaign to establish Thanksgiving as a national holiday. Finally, in 1863, President Abraham Lincoln set the last Thursday in November as the official day for a national Thanksgiving observance. In 1939, President Franklin D. Roosevelt moved the holiday up a week, and in 1941 Roosevelt signed a bill that designated the fourth Thursday in November as Thanksgiving Day.

Whether we set aside a day for national thanksgiving or make being truly grateful a part of our everyday lives, it’s important to remember that being grateful for what we have now and have had in the past can make us feel better about ourselves, our lives, and our relationships.

Cicero said, “Gratitude is not only the greatest of virtues, but the parent of all the others.” There are times in our lives when we may feel more Grinch than grateful, especially when the stresses of every day living gather momentum and all but overwhelm us. However, acknowledging and expressing our gratitude can have a beneficial effect on our lives, relationships, and work.

What are you grateful for? This week let’s write about a specific thing for which we’re grateful. A French proverb tells us, “Gratitude is the heart’s memory.” Our first step in writing this week will be to remember—to look into our memories and to identify a single thing for which we’re especially grateful. 

Guidelines:

1. Make a list of things for which you’re thankful. Think in terms of people, health, work—all the things that are good in your life.
2. Choose one item from the list.
3. Free write about the item you chose.
4. Look at your free write and select images and details for your poem.
5. Draft your poem.


Tips:

1. Your poem may be stichic (one stanza with no line breaks), it may be a formal poem, a prose poem, or your poem may take the form of prayer or a letter.
2. As you write, think about the reasons for your gratitude and show (without telling) what those feelings mean.
3. Dig deeply to reach beyond the specifics of your personal experience to the underlying universal subject with which your readers will identify. In other words, in this poem, move toward something larger than your personal experience.
4. You might address or dedicate your poem to a person for whom you're thankful.
5. Another possibility is to approach the flip side and write about a challenging time (or a time of adversity) that somehow led you to feelings of gratefulness (my mom used to say that good always comes from bad).


Examples:

In the United States, November is National Native American Heritage Month, with that in mind (and considering the tradition of our first Thanksgiving with the Pilgrims and Indians), this example is a poem translated from a traditional Iroquois prayer.


We who are here present thank the Great Spirit that we are here to praise Him. 
We thank Him that He has created men and women, and ordered that 
these beings shall always be living to multiply the earth. 
We thank Him for making the earth and giving these beings its products to live on. 
We thank Him for the water that comes out of the earth and runs for our lands. 
We thank Him for all the animals on the earth. 
We thank Him for certain timbers that grow and have fluids coming from them for us all. 
We thank Him for the branches of the trees that grow shadows for our shelter. 
We thank Him for the beings that come from the west, the thunder and lightning that water the earth. We thank Him for the light which we call our oldest brother, the sun that works for our good.


Additional Examples:

Saturday, November 4, 2017

Prompt #297 – Top Ten Tips

  
Often, when I offer tips for writing poems, I include one of more of the following items that I feel are important to remember. I used to do a "High Five," but I've added to that list. There are, of course, many other “tips” for writing poetry, but observing these will help move your poems toward final versions that shine. 

1. Avoid the passive voice.

2. Eliminate “ing” endings wherever you can.

3. Limit use of adjectives.

4. Avoid prepositional phrases when you can.

5. Get rid of articles (a, an, the) as much as possible.

6. Create images that are unique and memorable.

7. Avoid overstatement and too many details—show, don’t tell.

8. Stay away from clichés, abstractions, and sentimentality.

9. Create layers of meaning—point toward something bigger than the body of the poem.

10. Work on form and format (syntax, line breaks, and stanzaic arrangements).

This week’s challenge is to look through some already-written poems (that you consider “finished”) and to “checklist” it using the ten tips above. 

Guidelines:

1. Take a look at a poem you’ve already written and apply the preceding items as a checklist for editing. 
 
2. Go through your poem one item at a time and see if there are changes you can make. 
3. After you’ve finished, compare your original version and the newly edited one. Is the edited version stronger than the original?

 4. Try this with other "finished" poems too!



 

Saturday, October 28, 2017

Prompt #296 – What Does Your Costume Say about You?



Dressing up in costumes (called ”fancy dress” in England) has a long history. Masked balls and other fancy dress occasions were popular long before the custom of wearing costumes on Halloween came into popular practice. Halloween costumes as we know them today were first recorded as late as 1895 in Scotland with little evidence of the practice in England, Ireland, or the US before 1900. Early Halloween costumes took their character from Halloween’s pagan and Gothic sensibilities and were worn mainly by children. These costumes were made at home from found materials, but by the 1930s, several companies began to manufacture Halloween costumes for sale in stores, and trick or treating became popular. Today, Halloween costumes are worn by children and adults, all of whom enjoy the fun of becoming something or someone other than who they really are.

From the time I was little, I enjoyed Halloween costumes for the pure fun of them but also because, in costume, I was able to step out of myself and into another personality. 

Although, traditionally, Halloween costumes are monsters, vampires, zombies, and other ghoulish creatures, many more are based on characters and figures from history, movies, and everyday life. In a very real sense, costumes are communication devices—they say something about the people who wear them.


Suggestions:

1. Write a poem about a costume “experience” that you  had as a child or as an adult.

2. Write a poem about a costume that you’d love to wear. What’s the “character” you’d like to “become” on Halloween night? Why and how would a particular costume take you out of yourself and into a new personality?

3. Write a poem about the costume you would never want to wear and why.

4. Write a poem in which you “create” a bizarre costume that makes no reasonable sense—a fantasy costume. You might try a prose poem for this one (and be sure to include a little surreal imagery).

5. Write a poem about the animal you’d like to dress up as and “become” on Halloween night.

6. Write a poem about a historical person whom you’d like to “become” on Halloween. 

7. Write a poem about a costume party that you attended.

8. If you were going to dress up as a famous poet, which poet would you choose? In your poem, tell why you would choose that poet and describe your costume. For example, if you were to dress up as William Carlos Williams, your costume would include such things as latex gloves, a white lab coat, a stethoscope, eyeglasses, and brushed-back hair. For William Shakespeare, you’d need an Elizabethan-style outfit, beard, etc.

Tips:

1. Remember as you write to let your poem take you where it wants to go, and to be aware of meanings other than the obvious.

2. Link the end of the poem to the beginning but not overtly—and don’t over-write.

3.  Write beyond the last line, then go back and find the last line hidden in what you’ve written.

4.  Try (minimal) repetition from another part of the poem—sometimes this can work very well.

5.  Use more one-syllable words than multi-syllable words in your last couple of lines (think in terms of strong verbs and no superfluous language).

Examples:



It’s Halloween by Jack Prelutsky

It’s Halloween! It’s Halloween!
The moon is full and bright
And we shall see what can’t be seen
On any other night.
Skeletons and ghosts and ghouls,
Grinning goblins fighting duels,
Werewolves rising from their tombs,
Witches on their magic brooms.
In masks and gowns
we haunt the street
And knock on doors
for trick or treat.
Tonight we are the king and queen,
For oh tonight it’s Halloween!


Happy Halloween!








Saturday, October 21, 2017

Prompt #295 – Mysterious Monsters


(Yep, that's me in my zombie costume.)

It’s been more than a decade since zombies began their hungry shuffle into the mainstream of popular culture; and, in the monster aristocracy, zombies are currently the reigning royals. Since establishing the Carriage House Poetry Series in 1998, I’ve tried to come up with ideas (especially on occasions like our 19th anniversary this year) that will be fun for both performers and audiences, and something other than the typical poetry reading fare.

In the spirit of the season, and with Halloween coming soon, the Carriage House Series presented a program of ghoulishly good poetry, costumes, and celebration on October 17th. We called the program “Poets’ Apocalypse,” as a play on the current popularity of zombies and the term “Zombie Apocalypse.”

The slideshow from YouTube is below!





It’s amazing how fascinated we humans are with things that “go bump in the night.” As far as literature goes, books by Stephen King delight us, and Edgar Allan Poe’s stories and poems draw us to their characters and situations in the most appealingly spine-chilling ways. Given a choice between such written works and ballerina and bunny stories, the choice for many of us is obvious.

It may be that, because there’s so much real fear in our personal and global worlds, we find comfort of a sort in reading “scary” books and poems about other peoples’ terror. Or, maybe, we find it encouraging to “see” how weaker protagonists outsmart their terrifying antagonists. Whatever the reason, fictional monsters of one sort or another (from Stephen King’s vampire to Poe's raven, as well as the monsters we fear within ourselves) excite the imagination and continue to draw us to them. 

There are undoubtedly dozens of psychological explanations for our fascination with monsters, but I like to think that scary creatures are just plain fun. With that in mind, this week’s challenge is to write a poem about a monster.

Guidelines:

1. Make up a monster or personalize one that’s commonly known. (Keep in mind that “monsters” may also be emotional or psychological.)

2. Describe your monster—not too much detail but enough to create a solid visual for your readers.

3. Tell how a "psychological monster" manifests itself in your life.

4. Create a poem about a "monster" fear that haunts or taunts you (based on things such as fear of the dark or fear of being alone).

5. Think about how you might be (or have been) a monster to someone, and write about it.

6. Write about an unexplained monster: the Yeti, Bigfoot, the Jersey Devil, the Chupacabra, the Loogaroo (or any other regional creature that’s known in local lore).

7. Write about how someone is a monster to you, or write about how something in your life is monstrous.

8.  If “serious” monsters aren’t your cup of tea, you might want to try a humorous approach. If you do, be monstrously funny.

Tips:

1. The first line of your poem should be inviting, shocking, or curious enough to lure readers in.

2. Your poem should astonish readers in some way: insights, perceptions, imagery, description. 

3. You should include at least one image or figure of speech that makes your readers gasp. 

4. There should be an element of mystery and understatement in your poem—don't give everything away.

5. Avoid the usual pitfalls: 
 
·  writing in the passive voice, 
·  over-using adjectives, 
·  "ing" endings, 
·   too many prepositional phrases.

 

Saturday, October 14, 2017

Prompt #294 – Autumn & Halloween


 
It’s that time of year again! Autumn and Halloween! Time for colorful leaves, pumpkins, a special crispness in the air, as well as ghosts, goblins, ghouls, a touch of suspense, a bit of mystery, and poems to fit the occasion! Located on the calendar between autumn and winter, harvest and scarcity, Halloween is associated with early festivals and traditions, especially the Celtic festival of Samhain (pronounced SAH-win). Samhain, the Celtic New Year, was celebrated on November 1st.

Because Halloween falls on the 31st and is coming up soon, I thought I’d post two Halloween prompts for you to enjoy this week and next.

BTW, did you know that the poet John Keats was born on Halloween in 1795? His last poem is an untitled, eight-line fragment that seems chillingly well-suited to Halloween:

This living hand, now warm and capable
Of earnest grasping, would, if it were cold
And in the icy silence of the tomb,
So haunt thy days and chill thy dreaming nights
That thou would wish thine own heart dry of blood
So in my veins red life might stream again,
And thou be conscience-calmed—see here it is—
I hold it towards you.

It’s widely believed that Halloween was influenced by western European harvest festivals with roots in earlier traditions, especially the Celtic Samhain (pronounced SAH-win). Samhain, the Celtic New Year, was celebrated on November 1st. According to the American Folklife Center at the U.S. Library of Congress, the Celts gathered around bonfires lit to honor the dead. At Samhain, the Celts believed that the wall between worlds was at its thinnest and that the ghosts of the dead could re-enter the material world to mingle with the living. At Samhain, the Celts sacrificed animals and wore costumes (most probably animal skins). They also wore masks or colored their faces to confuse faeries, demons, and human spirits that were thought to walk among them.

As Christianity began to replace earlier religions, the feast of All Saint’s was moved to November 1st, making the night before All Hallows’ Eve, or Halloween. Originally celebrated on May 13th from 609 AD, the date of All Saints’ was changed by Pope Gregory IV in 835 AD to November 1st, the same day as Samhain. All Saints’ was followed by All Souls’ Day on November 2nd and, by the end of the 12th century, these days together became Holy Days of Obligation—days in the Church’s calendar set aside to honor the saints and to pray for the souls of the recently departed. Related traditions included groups of poor people and children who went ”souling” from door to door on All Saints’/All Souls’ to beg for traditional soul cakes (mentioned by Shakespeare in The Two Gentleman of Verona when Speed accuses his master of puling [whimpering] like a beggar at Hallowmas). In return for the soul cakes, the beggars promised to pray for the households’ dead. “Souling” is very likely the older tradition from which today’s trick or treating evolved. Click Here for a Soul Cake Recipe

Halloween history notwithstanding, how about writing  a poem that “remembers” an autumn or Halloween time in your life? That is, a “historical” poem based on your own history.

Guidelines:

1. Touch base with an autumn or Halloween memory, think in terms of a narrative poem (one that tells a story), and let the memory guide your poem. 

2. Be sure to evoke a mood or tone that’s compatible with your subject.

3. Imagine that you are an object of Halloween lawn décor. What would you be? Why would you choose to be that?

4. Autumn may also be an alternative subject that powers your poem. Create imagery that expresses autumn.

Tips:

1. Avoid overuse of adjectives and adverbs.

2. Create a tone or mood that appropriate to your subject. Remember that the verbs you choose will give your poem momentum and a sense of trajectory.

3. As you develop your poem, move away from the obvious and work toward deeper meanings.

4. Work to engage your readers by using precise imagery and by layering meaning through similes, metaphors, and sound value.


Examples:

“Haunted Houses” by Henry Wadsworth Longfellow

“Mr. Macklin’s Jack O’Lantern”  by David McCord

“Theme in Yellow” by Carl Sandburg


And … by way of sharing, here’s a Halloween prose poem from my book, A Lightness, a Thirst, Or Nothing at All.

Halloween

Trick-or-treaters come to the door repeatedly—little ones early, older kids into the night until she runs out of candy and turns off the outside lights. The wall between worlds is thin (aura over aura—stars flicker and flinch). The woman buttons her coat, checks her reflection in the mirror, and stands cheek to glass (eye on her own eye, its abstract edge). She leaves the house (empty house that we all become)—shadows shaped to the trees, crows in the high branches.